Photoshop CC

Who needs artsy filters when you have Raw converters?

I’m in the process of comparing the latest versions of various Raw file converters, and as part of that I’ve been rendering the same image in multiple pieces of software and comparing the results. Stay tuned for the scientific version where I use actual color targets and math, but in the meantime, I’ve been trying to get a feel for the differences by eye. However, I found something I didn’t expect…


Using Adobe’s Adjustment Brush in Photoshop or Lightroom to rescue awkwardly-lit scenes

Despite the power of post-processing tools, one area that has always been labor intensive and error-prone is correcting images that have multiple light sources with multiple color temperatures. Since white balance is best set on the raw image, correcting for two or more different light sources has required “developing” the image multiple times and then using layers and layer masking to composite a version that shows each area lit correctly. Fortunately Adobe has changed all that…